Monday, June 27, 2016

Kimono Japan



The kimono (きもの) (着物)is a Japanese traditional garment. The word "kimono", which actually means a "thing to wear" (ki "wear" and mono "thing"), has come to denote these full-length robes. The standard plural of the word kimono in English is kimonos, but the unmarked Japanese plural kimono is also sometimes used. Kimono is always used in important festival or formal moments, it is the representative of polite and a very formal clothing.
Kimono are T-shaped, straight-lined robes worn so that the hem falls to the ankle, with attached collars and long, wide sleeves. Kimono are wrapped around the body, always with the left side over the right (except when dressing the dead for burial) and secured by a sash called an obi, which is tied at the back. Kimono are generally worn with traditional footwear (especially zōri or geta) and split-toe socks (tabi).
Today, kimono are most often worn by women, and on special occasions. Traditionally, unmarried women wore a style of kimono called furisode, with almost floor-length sleeves, on special occasions. A few older women and even fewer men still wear the kimono on a daily basis. Men wear the kimono most often at weddings, tea ceremonies, and other very special or very formal occasions. Professional sumo wrestlers are often seen in the kimono because they are required to wear traditional Japanese dress whenever appearing in public.

Kimono history

Kimono take inspiration from traditional Chinese clothes, "Hanfu" (Hanfu = han (han tribe) fu (clothes) -> Hanfu = clothing han tribe). Kimono modern as we see in contemporary times is already beginning to be seen since the Heian period (circa 800).
Usually made from silk kimono japan in-print technique "Yuzen". "Yuzen" means printing technique over and over - so, the actual pattern of the kimono diulang2 (similar monogram). Many people thought that it was painted kimono and the kimono that contains one painting, but actually wrong.
According to some sources, Kimono in ancient times to be released in segments for washed and stitched and spliced back in time would be used, but the times have eliminated the need for this.


Parts
These terms refer to parts of a kimono:

  • Dōura (胴裏): upper lining on a woman's kimono.
  • Eri (): collar.
  • Fuki (): hem guard.
  • Sode (): sleeve below the armhole.
  • Obi (): a belt used to tuck excess cloth away from the seeing public.
  • Maemigoro (前身頃): front main panel, excluding sleeves. The covering portion of the other side of the back, maemigoro is divided into "right maemigoro" and "left maemigoro".
  • Miyatsukuchi (身八つ口): opening under the sleeve.
  • Okumi (): front inside panel on the front edge of the left and right, excluding the sleeve of a kimono. Until the collar, down to the bottom of the dress goes, up and down part of the strip of cloth. Have sewn the front body. It is also called "".
  • Sode (): sleeve.
  • Sodeguchi (袖口): sleeve opening.
  • Sodetsuke (袖付): kimono
  • armhole.
  • Susomawashi (裾回し): lower lining.
  • Tamoto (): sleeve pouch.
  • Tomoeri (共衿): over-collar (collar protector).
  • Uraeri (裏襟): inner collar.
  • Ushiromigoro (後身頃): back main panel, excluding sleeves, covering the back portion. They are basically sewn back-centered and consist of "right ushiromigoro" and "left ushiromigoro", but for wool fabric, the ushiromigoro consists of one piece.

Styles
Kimonos range from extremely formal to casual. The level of formality of women's kimono is determined mostly by the pattern of the fabric, and color. Young women's kimonos have longer sleeves, signifying that they are not married, and tend to be more elaborate than similarly formal older women's kimono.[5] Men's kimonos are usually one basic shape and are mainly worn in subdued colors. Formality is also determined by the type and color of accessories, the fabric, and the number or absence of kamon (family crests), with five crests signifying extreme formality. Silk is the most desirable, and most formal, fabric. Kimonos made of fabrics such as cotton and polyester generally reflect a more casual style.

Women's kimono

Many modern Japanese women lack the skill to put on a kimono unaided: the typical woman's kimono outfit consists of twelve or more separate pieces that are worn, matched, and secured in prescribed ways, and the assistance of licensed professional kimono dressers may be required. Called upon mostly for special occasions, kimono dressers both work out of hair salons and make house calls.
Choosing an appropriate type of kimono requires knowledge of the garment's symbolism and subtle social messages, reflecting the woman's age, marital status, and the level of formality of the occasion.

1.      Furisode (振袖)

 furisode literally translates as swinging sleeves—the sleeves of furisode average between 39 and 42 inches (110 cm) in length. Furisode are the most formal kimono for unmarried women, with colorful patterns that cover the entire garment. They are usually worn at coming-of-age ceremonies (seijin shiki) and by unmarried female relatives of the bride at weddings and wedding receptions.

2.       Hōmongi (訪問着)

literally translates as visiting wear. Characterized by patterns that flow over the shoulders, seams and sleeves, hōmongi rank slightly higher than their close relative, the tsukesage. Hōmongi may be worn by both married and unmarried women; often friends of the bride will wear hōmongi at weddings (except relatives) and receptions. They may also be worn to formal parties.

Pongee Hōmongi were made to promote kimono after WWII. Since Pongee Hōmongi are made from Pongee, they are considered casual wear.

3.       Iromuji(色無地)

colored kimono that may be worn by married and unmarried women. They are mainly worn to tea ceremonies. The dyed silk may be figured (rinzu, similar to jacquard), but has no differently colored patterns. It comes from the word "muji" which means plain or solid and "iro" which means color.

4.      Komon(小紋)

"fine pattern". Kimono with a small, repeated pattern throughout the garment. This style is more casual and may be worn around town, or dressed up with a formal obi for a restaurant. Both married and unmarried women may wear komon.

5.      Edo komon (江戸小紋)

A type of komon characterized by tiny dots arranged in dense patterns that form larger designs. The Edo komon dyeing technique originated with the samurai class during the Edo period. A kimono with this type of pattern is of the same formality as an iromuji, and when decorated with kamon, may be worn as visiting wear (equivalent to a tsukesage or hōmongi).

6.      Mofuku

Mofuku is formal mourning dress for men or women. Both men and women wear kimono of plain black silk with five kamon over white undergarments and white tabi. For women, the obi and all accessories are also black. Men wear a subdued obi and black and white or black and gray striped hakama with black or white zori.

 

The completely black mourning ensemble is usually reserved for family and others who are close to the deceased.

7.      Tsukesage (付け下げ)

Has more modest patterns that cover a smaller area—mainly below the waist—than the more formal hōmongi. They may also be worn by married women.The differences from homongi is the size of the pattern, seam connection, and not same clothes at inside and outside at "hakke." As demitoilet, not used in important occasion, but light patterned homongi is more highly rated than classic patterned tsukesage. General tsukesage is often used for parties, not ceremonies.

8.      Uchikake

Uchikake (打掛) is a highly formal kimono worn only by a bride or at a stage performance. The Uchikake is often heavily brocaded and is supposed to be worn outside the actual kimono and obi, as a sort of coat. One therefore never ties the obi around the uchikake. It is supposed to trail along the floor, this is also why it is heavily padded along the hem. The uchikake of the bridal costume is either white or very colorful often with red as the base colour.

9.      Susohiki / Hikizuri

The susohiki is usually worn by geisha or by stage performers of the traditional Japanese dance. It is quite long, compared to regular kimono, because the skirt is supposed to trail along the floor. Susohiki literally means "trail the skirt". Where a normal kimono for women is normally 1.5–1.6 m (4.9–5.2 ft) long, a susohiki can be up to 2 m (6.6 ft) long. This is also why geisha and maiko lift their kimono skirt when walking outside, also to show their beautiful under kimono or "nagajuban" (see below).

10.   Jūnihitoe

Jūnihitoe (十二単) is an extremely elegant and highly complex kimono that was only worn by Japanese court-ladies. The jūnihitoe consist of various layers which are silk garments, with the innermost garment being made of white silk. The total weight of the jūnihitoe could add up to 20 kilograms. An important accessory was an elaborate fan, which could be tied together by a rope when folded. Today, the jūnihitoe can only be seen in museums, movies, costume demonstrations, tourist attractions or at certain festivals. These robes are one of the most expensive items of Japanese clothing. Only the Imperial Household still officially uses them at some important functions.

Men's kimono.

Men's kimono sleeves are attached to the body of the kimono with no more than a few inches unattached at the bottom, unlike the women's style of very deep sleeves mostly unattached from the body of the kimono. Men's sleeves are less deep than women's kimono sleeves to accommodate the obi around the waist beneath them, whereas on a woman's kimono, the long, unattached bottom of the sleeve can hang over the obi without getting in the way.
In the modern era, the principal distinctions between men's kimono are in the fabric. The typical men's kimono is a subdued, dark color; black, dark blues, greens, and browns are common. Fabrics are usually matte. Some have a subtle pattern, and textured fabrics are common in more casual kimono. More casual kimono may be made in slightly brighter colors, such as lighter purples, greens and blues. Sumo wrestlers have occasionally been known to wear quite bright colors such as fuchsia.The most formal style of kimono is plain black silk with five kamon on the chest, shoulders and back. Slightly less formal is the three-kamon kimono.





Accessories and complementary of kimono :



1.       Hakama : A divided (umanoribakama) or undivided skirt (andonbakama) which resembles a wide pair of trousers, traditionally worn by men but contemporary also by women in less formal situations. A hakama typically is pleated and fastened by ribbons, tied around the waist over the obi.

2.       Geta : Wooden sandals worn by men and women with yukata.
 
3.       Kanzashi : Hair ornaments worn by women. Many different styles exist, including silk flowers, wooden combs, and jade hairpins.

4.       Obi  : The tie belt worn with kimono.

5.       Tabi : Ankle-high, divided-toe socks usually worn with zōri or geta. There also exist sturdier, boot-like jikatabi, which are used for example to fieldwork.

6.       Waraji : Straw rope sandals which are mostly worn by monks.

7.        Zōri : Traditional sandals worn by both men and women, similar in design to flip-flops. Their formality ranges from strictly informal to fully formal. They are made of many materials, including cloth, leather, vinyl and woven grass, and can be highly decorated or very simple.

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