Showing posts with label Japan. Show all posts
Showing posts with label Japan. Show all posts

Saturday, July 2, 2016

Karate is a Martial Arts from Japan



A.      Definition of Karate
Karate (空 手 道) is a martial art that originated in Japan. This martial art is little influenced by Chinese martial art Kenpo. Karate was brought to Japan via Okinawa and began to develop in the Ryukyu Islands. This martial art was first called "Tote" meaning such as "China Hand." When karate to Japan, Japanese nationalism at that time was high-high, so Sensei Gichin Funakoshi changed kanji Okinawa (Tote: China Hand) in Japanese kanji to 'karate' (empty hand) to be more easily accepted by the people of Japan. Karate consists of two kanji. the first is 'Kara' 空 and means 'empty'. and the second one, 'te' 手, means 'hand'. Its two kanji together means "empty hand" 空手 (pinyin: kongshou).
According to Zen-Nippon Karatedo Renmei / Japan Karatedo Federation (JKF) and the World Karate Federation (WKF), regarded as the main style of karate, namely:
1.       Shotokan
Shoto was the pen name of Gichin Funakoshi, Kan can be interpreted as building / building - so Shotokan can be translated as College Funakoshi. Gichin Funakoshi was a pioneer who brought the science of karate from Okinawa to Japan. Shotokan flow is accumulated and standardization of various universities in Okinawa karate ever studied by Funakoshi. Adhering to the concept Ichigeki Hissatsu, ie the movement can kill your opponent. Shotokan using horses low and parry blows and harsh. Shotokan inclined linear movement / frontal, so that the practitioner of Shotokan dare to directly compete and parry blows with an opponent.



2.       Goju-Ryu
Goju meaning hard-soft. This flow technique combines hard and soft techniques, and is one of the colleges of traditional karate in Okinawa that has a long history. With the increasing popularity of Karate in Japan (after the entry into Japan Shotokan), Goju style was brought to Japan by Chojun Miyagi. Miyagi updating many techniques this style into a style of Goju-ryu is now, so many people who consider Chojun Miyagi the founder of Goju-ryu. Adhering to the concept that "in a real fight, we should be able to receive and reply to blow". So that Goju-ryu emphasis on Sanchin or breathing exercises are basic, so that practitioners can provide a powerful punch and take a hit from an opponent without getting hurt. Goju-ryu uses parry that are circular and are happy to do battle within the meeting.


3.       Shito-Ryu
Shito-ryu famous word play skills evidenced by the many words that are taught in the style of Shito-ryu, which is 30 to 40 words, more than any other stream. But that is recorded in the headmaster / in Japan there are 111 words along with bunkainya. For comparison, Shotokan have 25 Wado has 17 Goju has 12 words. In the fight, Shito-ryu Karate expert can adjust to the conditions, they can fight like Shotokan frontally, as well as a distance meeting as Goju.

pinan shodan
pinan sidan

pinan sandan

4.       Wado-Ryu
Wado-ryu Karate is a unique style because it is rooted in martial art Shindo Yoshin-ryu Jujutsu, a style of Japanese martial techniques that have joint locks and throws. So Wado-ryu Karate in addition to teaching techniques are also taught techniques joint locks and throws / dings Jujutsu. In the battle, expert Wado-ryu Jujutsu uses principles that do not want to complain frontally power, more use parry that is flowing (not parry hard), and occasionally using Jujutsu techniques such as dings and leg sweep to knock the opponent. However, in a game Forki and JKF, Wado-ryu practitioners are also able to adjust with the existing rules and compete without using moves such Jujutsu.

The fourth stream is recognized as a major Karate styles because it participates in the formation of JKF and WKF.
But the style of karate that is leading in the world not just four styles on top of it all. Several large streams such as Kyokushin, Shorin-ryu and Uechi-ryu spread to other countries in the world and is known as the famous Karate flow, although not included in the "big 4 WKF".
While other large Karate style, although not included in the "big 4 JKF" include:
1.       Kyokushin
Kyokushin is not included in the four major Japan Karatedo Federation. However, the style is very well known both inside and outside of Japan, as well as have all contributed to popularizing Karate in the world, especially in the 1970s. Style was founded by Sosai Oyama Masutatsu. Kyokushin name has meaning ultimate truth. This style adopts Budo Karate, where the practitioner-practitioners are required to dare to do a full-contact kumite, ie without protection, and attacked frontally, to explore the true meaning of the martial arts of karate and train the soul / spirit of soldiering (Budo), flow These are often known as one of the toughest karate school. Unlike most of the style of karate that has focused on sports, where the game applying the system is not in direct contact and the results are determined by points, Kyokushin still cling to the traditional system, seen from the game system kumite championships Kyokushin applying fight full contact and may make knock Out (KO) opponent. This flow Hyakunin apply kumite (kumite 100) as the ultimate test, which tested karate kumite do 100 in a row without losing. Sosai Oyama himself has done kumite 300 people. It is common for practitioners of this genre to perform kumite 5-10 respectively.
2.       Shorin-ryu
This style is the flow of the original Karate came from Okinawa. Founded by Shōshin Nagamine based on the teachings Yasutsune Anko Itosu, a Karate teacher of the 19th century who was also the teacher of Gichin Funakoshi, founder of Shotokan Karate. Understandably movement Shorin-ryu much in common with the Shotokan. A striking difference is that the Shorin-ryu also teaches a variety of weapons, such as Nunchaku, Kama and Rokushaku Bo.
3.       Uechi-ryu
This style is the style of Karate is the most widely accepted the influence of Chinese martial arts, because the creators of this flow, Kanbun Uechi, learn martial directly in Fujian province in China. Therefore, the movement of the flow of Uechi-ryu Karate Kungfu very similar to Fujian style, especially Baihequan style (White Crane).

In Japan, an organization that embodies all of Japan Karate sport is JKF. As an organization that embodies the whole world is WKF Karate (formerly known as WUKO - World Union of Karate Organizations). There is also ITKF (International Traditional Karate Federation) that embodies traditional karate. The function of JKF and WKF Karate is mainly to confirm that is "no direct contact", in contrast to the flow of Kyokushin or Daidojuku that "direct contact".
Karate basic training is divided into three as follows:
1.       Kihon, the basic motion
Kihon (基本: き ほ ん, Kihon) Literally means ground or foundation. Kihon Karate practitioners must master well before studying Kata and Kumite.Kihon training starts from studying punches and kicks (white belt) and dings (brown belt). On stage or Black Belt, students considered to have mastered the entire kihon well.

2.       Kata, namely practice karate moves or flowers.
Kata (型: か た) literally means the shape or pattern. Said in karate is not only a physical exercise or regular aerobics. But it also contains a lesson about fighting principles. Movements Word also contains a lot of philosophies of life. Each word has a rhythm of movement and different breathing.

3.       Kumite (Sparring)
Kumite (組 手: く み て) literally means "meeting of hands". Kumite is done by students of advanced (blue belt or more). But now, there is a dojo that teaches students kumite at the beginner level (yellow belt). Before performing free kumite (Kumite jiyu) practitioners learn arranged kumite (go hon kumite) or (Yakusoku kumite). Kumite flow for sport, better known as Kumite Shiai or Kumite Match.
Shotokan in Japan, kumite only by students who have reached the level and the (black belt). Practitioners are required to be able to keep his punches so as not to injure comrades compete.
"direct contact" like Kyokushin Karate practitioners already accustomed to doing kumite since blue belt strip. Kyokushin practitioner allowed to launch kicks and blows with all his might towards the opponent to compete.

Combinations styles such as Wado-ryu, which technique consists of a combination of Karate and Jujutsu, then Kumite is divided into two kinds, namely Kumite for the preparation of Shiai, trained only techniques allowed in the game, and Goshinjutsu Kumite or Kumite for martial arts, all technique used, including Jujutsu moves such as dings, locks, and attacking vital points.

In the current era of karate can also be divided into the traditional flow and flow of sports. Traditional flow more emphasis on self-defense and combat techniques while exercise more rested flow techniques for sports events.
B.      Philosophy

In Karate-Do Kyohan, Funakoshi quoted from the Heart Sutra , which is prominent in Shingon Buddhism: "Form is emptiness, emptiness is form itself" (shiki zokuze kū kū zokuze shiki). He interpreted the "kara" of Karate-dō to mean "to purge oneself of selfish and evil thoughts ... for only with a clear mind and conscience can the practitioner understand the knowledge which he receives." Funakoshi believed that one should be "inwardly humble and outwardly gentle." Only by behaving humbly can one be open to Karate's many lessons. This is done by listening and being receptive to criticism. He considered courtesy of prime importance. He said that "Karate is properly applied only in those rare situations in which one really must either down another or be downed by him." Funakoshi did not consider it unusual for a devotee to use Karate in a real physical confrontation no more than perhaps once in a lifetime. He stated that Karate practitioners must "never be easily drawn into a fight." It is understood that one blow from a real expert could mean death. It is clear that those who misuse what they have learned bring dishonor upon themselves. He promoted the character trait of personal conviction. In "time of grave public crisis, one must have the courage ... to face a million and one opponents." He taught that indecisiveness is a weakness.[
Philosophy Karate
a)      Rakka (Flowers are falling)
This is the concept of self-defense or defense in karate. Elaboration it is any defense techniques that need to be done with a powerful and steady, while using one technique is enough to defend themselves so that likened if the technique was carried to the top of the tree, then all the flowers of the tree will fall to fall. For example, if someone attacked by hitting the face, then a karateka can use techniques to fend off the top. If only parry on it was pretty strong and steady, the karateka can break that hit the opponent's hand. With that no longer need to make a follow-up strike was enough to defend him/herself.
b)      Mizu No Kokoro (Minda like water)
This concept meant that for the purpose of self-defense, Minda (mind) is necessary to be kept and trained to keep quiet. If Minda quiet, then it's easy to pengamal martial to dodge or parry the attack. Minda is like water in the lake. When the float months, we will be able to see the shadow of the moon with the light on a calm lake. Had dilontar small stones into the lake, the moon reflecting in the lake will be blurred.

C.       The History of Karate

In its current form, karate is less than 200 years old however it has roots that date back thousands of years.

The art originated on the island of Okinawa and in its early form was heavily influenced by ancient Chinese martial arts, collectively known as kung fu.

·         The Beginnings of Karate History on Okinawa

The history of Okinawan Karate can be traced back to the late 17th century when a ban on weapons was imposed by the samurai rulers of Japan.


Kanga Tode Sakugawa

The exact evolution of karate history is lost due to the lack of information being written down which is unsurprising when taking into account the strict rules against subjects of the island learning martial arts.

This meant that all training by early masters such as Kanga Tode Sakugawa (pictured) and Sokon 'Bushi' Matsumura, had to be done in secret and as weapons could not be carried on the island, self-defence tended to revolve around empty handed techniques.

The earliest surviving written evidence of karate in Okinawa was a mention of the word Tode (the Okinawan name for the art) in the late 1700s. It was in reference to a visitor to the island from China named Kushanku who taught a form of Kung Fu and may have introduced the first version of the Shotokan kata kanku dai. Tode style blended with the martial arts already being cultivated on the island which was known as Te, meaning ‘hand’.

The was popular in three cities in particular, Shuri, Naha and Tamarai. Each city had its own way of doing the martial arts and modern day styles reflect this; Shotokan and Shito-ryu are mostly influenced by the style from the city of Shuri, that is Shuri-te, and to a lesser extent Tamarai-te. Goju-ryu on the other hand is more influenced by Naha-te.

·         Karate History and its Development into a World Martial Art

At the turn of the 20th century, Anko Itosu gained permission to end the shroud of secrecy for those who wanted to learn martial arts and began teaching Te in Okinawan schools. This led to further expansion by one of Itosu’s students, Sensei Gichin Funakoshi, who introduced the art to Japan in 1922.

Chojun Miyagi Training

Funakoshi made many modifications to the art to make it more accessible to the Japanese including changing the name and karate as we know it today was born. Towards the end of his life, Funakoshi was instrumental in forming the Japanese Karate Association (JKA) which set about making karate a world martial art by sending out its best instructors to teach it all over the globe.

Today, karate is practiced by millions of people right across the world and although the lines are often blurred between karate history facts and exagerations or legends, the contribution made by the old Okinawan masters and those that followed them should not be forgotten. 

D.      Ranks / position in Karate
Rank/ position in karate it is differentiated through the ability to memorize or perform maximal
motion in the moment. That level is distinguished by a belt. To get a rank / position, we are required to include a belt exam session. Which takes place every four months. For this level be divided into:
o   White belt
o   Yellow belt
o   Orange belt
o   Green belt
o   Blue belt
o   Brown belt
o   Red belt
o   Black belt
E.       Field Size
·         The floor area of ​​8 x 8 meters, bare board or mat on stage with a height of 1 meter and plus the safety area measuring 2 meters on each side.

·         Arena matches should be flat and avoid potential harm.
In Kumite Shiai used by Forki which refers to the rules of the WKF, ideally using a mat with a width of 10 x 10 meters. The mat is divided into three colors: white, red and blue. Matras outermost is the limit jogai where karate-ka who are playing these limits should not touch or be subject to infringement. The second limit is deeper than jogai limit is the limit of the warning, so that karate-ka who are playing can predict space arena he competed. Remaining scope mat deepest and most with the color white is the arena to compete effectively.
F.       Equipment in karate matches
The necessary equipment in karate matches:
1.       Karate clothing (karategi) for contestants
2.       hand protection
3.       Shin guards
4.       Belt (Obi) for both contestants red / aka and blue / ao
5.       Other tools are allowed but not a necessity is:
6.       Protective gum (in some games is a must)
7.       Body armor for contestants daughter
8.       Groin protectors for contestants son
9.       Whistle to the arbitrator / stationery
10.   Uniform referee / judge
11.   Shirt
12.   Gray pants
13.   red tie
14.   Black rubber boots without soles
15.   Scoreboard / n scoring board
16.   administration of the game
17.   red & blue flag for jury
18.    A whistle to referee
19.   Extras: Special to Kyokushin, protective wear groin protectors for contestants only son. Meanwhile, another patron is not allowed.




Monday, June 27, 2016

Kimono Japan



The kimono (きもの) (着物)is a Japanese traditional garment. The word "kimono", which actually means a "thing to wear" (ki "wear" and mono "thing"), has come to denote these full-length robes. The standard plural of the word kimono in English is kimonos, but the unmarked Japanese plural kimono is also sometimes used. Kimono is always used in important festival or formal moments, it is the representative of polite and a very formal clothing.
Kimono are T-shaped, straight-lined robes worn so that the hem falls to the ankle, with attached collars and long, wide sleeves. Kimono are wrapped around the body, always with the left side over the right (except when dressing the dead for burial) and secured by a sash called an obi, which is tied at the back. Kimono are generally worn with traditional footwear (especially zōri or geta) and split-toe socks (tabi).
Today, kimono are most often worn by women, and on special occasions. Traditionally, unmarried women wore a style of kimono called furisode, with almost floor-length sleeves, on special occasions. A few older women and even fewer men still wear the kimono on a daily basis. Men wear the kimono most often at weddings, tea ceremonies, and other very special or very formal occasions. Professional sumo wrestlers are often seen in the kimono because they are required to wear traditional Japanese dress whenever appearing in public.

Kimono history

Kimono take inspiration from traditional Chinese clothes, "Hanfu" (Hanfu = han (han tribe) fu (clothes) -> Hanfu = clothing han tribe). Kimono modern as we see in contemporary times is already beginning to be seen since the Heian period (circa 800).
Usually made from silk kimono japan in-print technique "Yuzen". "Yuzen" means printing technique over and over - so, the actual pattern of the kimono diulang2 (similar monogram). Many people thought that it was painted kimono and the kimono that contains one painting, but actually wrong.
According to some sources, Kimono in ancient times to be released in segments for washed and stitched and spliced back in time would be used, but the times have eliminated the need for this.


Parts
These terms refer to parts of a kimono:

  • Dōura (胴裏): upper lining on a woman's kimono.
  • Eri (): collar.
  • Fuki (): hem guard.
  • Sode (): sleeve below the armhole.
  • Obi (): a belt used to tuck excess cloth away from the seeing public.
  • Maemigoro (前身頃): front main panel, excluding sleeves. The covering portion of the other side of the back, maemigoro is divided into "right maemigoro" and "left maemigoro".
  • Miyatsukuchi (身八つ口): opening under the sleeve.
  • Okumi (): front inside panel on the front edge of the left and right, excluding the sleeve of a kimono. Until the collar, down to the bottom of the dress goes, up and down part of the strip of cloth. Have sewn the front body. It is also called "".
  • Sode (): sleeve.
  • Sodeguchi (袖口): sleeve opening.
  • Sodetsuke (袖付): kimono
  • armhole.
  • Susomawashi (裾回し): lower lining.
  • Tamoto (): sleeve pouch.
  • Tomoeri (共衿): over-collar (collar protector).
  • Uraeri (裏襟): inner collar.
  • Ushiromigoro (後身頃): back main panel, excluding sleeves, covering the back portion. They are basically sewn back-centered and consist of "right ushiromigoro" and "left ushiromigoro", but for wool fabric, the ushiromigoro consists of one piece.

Styles
Kimonos range from extremely formal to casual. The level of formality of women's kimono is determined mostly by the pattern of the fabric, and color. Young women's kimonos have longer sleeves, signifying that they are not married, and tend to be more elaborate than similarly formal older women's kimono.[5] Men's kimonos are usually one basic shape and are mainly worn in subdued colors. Formality is also determined by the type and color of accessories, the fabric, and the number or absence of kamon (family crests), with five crests signifying extreme formality. Silk is the most desirable, and most formal, fabric. Kimonos made of fabrics such as cotton and polyester generally reflect a more casual style.

Women's kimono

Many modern Japanese women lack the skill to put on a kimono unaided: the typical woman's kimono outfit consists of twelve or more separate pieces that are worn, matched, and secured in prescribed ways, and the assistance of licensed professional kimono dressers may be required. Called upon mostly for special occasions, kimono dressers both work out of hair salons and make house calls.
Choosing an appropriate type of kimono requires knowledge of the garment's symbolism and subtle social messages, reflecting the woman's age, marital status, and the level of formality of the occasion.

1.      Furisode (振袖)

 furisode literally translates as swinging sleeves—the sleeves of furisode average between 39 and 42 inches (110 cm) in length. Furisode are the most formal kimono for unmarried women, with colorful patterns that cover the entire garment. They are usually worn at coming-of-age ceremonies (seijin shiki) and by unmarried female relatives of the bride at weddings and wedding receptions.

2.       Hōmongi (訪問着)

literally translates as visiting wear. Characterized by patterns that flow over the shoulders, seams and sleeves, hōmongi rank slightly higher than their close relative, the tsukesage. Hōmongi may be worn by both married and unmarried women; often friends of the bride will wear hōmongi at weddings (except relatives) and receptions. They may also be worn to formal parties.

Pongee Hōmongi were made to promote kimono after WWII. Since Pongee Hōmongi are made from Pongee, they are considered casual wear.

3.       Iromuji(色無地)

colored kimono that may be worn by married and unmarried women. They are mainly worn to tea ceremonies. The dyed silk may be figured (rinzu, similar to jacquard), but has no differently colored patterns. It comes from the word "muji" which means plain or solid and "iro" which means color.

4.      Komon(小紋)

"fine pattern". Kimono with a small, repeated pattern throughout the garment. This style is more casual and may be worn around town, or dressed up with a formal obi for a restaurant. Both married and unmarried women may wear komon.

5.      Edo komon (江戸小紋)

A type of komon characterized by tiny dots arranged in dense patterns that form larger designs. The Edo komon dyeing technique originated with the samurai class during the Edo period. A kimono with this type of pattern is of the same formality as an iromuji, and when decorated with kamon, may be worn as visiting wear (equivalent to a tsukesage or hōmongi).

6.      Mofuku

Mofuku is formal mourning dress for men or women. Both men and women wear kimono of plain black silk with five kamon over white undergarments and white tabi. For women, the obi and all accessories are also black. Men wear a subdued obi and black and white or black and gray striped hakama with black or white zori.

 

The completely black mourning ensemble is usually reserved for family and others who are close to the deceased.

7.      Tsukesage (付け下げ)

Has more modest patterns that cover a smaller area—mainly below the waist—than the more formal hōmongi. They may also be worn by married women.The differences from homongi is the size of the pattern, seam connection, and not same clothes at inside and outside at "hakke." As demitoilet, not used in important occasion, but light patterned homongi is more highly rated than classic patterned tsukesage. General tsukesage is often used for parties, not ceremonies.

8.      Uchikake

Uchikake (打掛) is a highly formal kimono worn only by a bride or at a stage performance. The Uchikake is often heavily brocaded and is supposed to be worn outside the actual kimono and obi, as a sort of coat. One therefore never ties the obi around the uchikake. It is supposed to trail along the floor, this is also why it is heavily padded along the hem. The uchikake of the bridal costume is either white or very colorful often with red as the base colour.

9.      Susohiki / Hikizuri

The susohiki is usually worn by geisha or by stage performers of the traditional Japanese dance. It is quite long, compared to regular kimono, because the skirt is supposed to trail along the floor. Susohiki literally means "trail the skirt". Where a normal kimono for women is normally 1.5–1.6 m (4.9–5.2 ft) long, a susohiki can be up to 2 m (6.6 ft) long. This is also why geisha and maiko lift their kimono skirt when walking outside, also to show their beautiful under kimono or "nagajuban" (see below).

10.   Jūnihitoe

Jūnihitoe (十二単) is an extremely elegant and highly complex kimono that was only worn by Japanese court-ladies. The jūnihitoe consist of various layers which are silk garments, with the innermost garment being made of white silk. The total weight of the jūnihitoe could add up to 20 kilograms. An important accessory was an elaborate fan, which could be tied together by a rope when folded. Today, the jūnihitoe can only be seen in museums, movies, costume demonstrations, tourist attractions or at certain festivals. These robes are one of the most expensive items of Japanese clothing. Only the Imperial Household still officially uses them at some important functions.

Men's kimono.

Men's kimono sleeves are attached to the body of the kimono with no more than a few inches unattached at the bottom, unlike the women's style of very deep sleeves mostly unattached from the body of the kimono. Men's sleeves are less deep than women's kimono sleeves to accommodate the obi around the waist beneath them, whereas on a woman's kimono, the long, unattached bottom of the sleeve can hang over the obi without getting in the way.
In the modern era, the principal distinctions between men's kimono are in the fabric. The typical men's kimono is a subdued, dark color; black, dark blues, greens, and browns are common. Fabrics are usually matte. Some have a subtle pattern, and textured fabrics are common in more casual kimono. More casual kimono may be made in slightly brighter colors, such as lighter purples, greens and blues. Sumo wrestlers have occasionally been known to wear quite bright colors such as fuchsia.The most formal style of kimono is plain black silk with five kamon on the chest, shoulders and back. Slightly less formal is the three-kamon kimono.





Accessories and complementary of kimono :



1.       Hakama : A divided (umanoribakama) or undivided skirt (andonbakama) which resembles a wide pair of trousers, traditionally worn by men but contemporary also by women in less formal situations. A hakama typically is pleated and fastened by ribbons, tied around the waist over the obi.

2.       Geta : Wooden sandals worn by men and women with yukata.
 
3.       Kanzashi : Hair ornaments worn by women. Many different styles exist, including silk flowers, wooden combs, and jade hairpins.

4.       Obi  : The tie belt worn with kimono.

5.       Tabi : Ankle-high, divided-toe socks usually worn with zōri or geta. There also exist sturdier, boot-like jikatabi, which are used for example to fieldwork.

6.       Waraji : Straw rope sandals which are mostly worn by monks.

7.        Zōri : Traditional sandals worn by both men and women, similar in design to flip-flops. Their formality ranges from strictly informal to fully formal. They are made of many materials, including cloth, leather, vinyl and woven grass, and can be highly decorated or very simple.